Tuesday, April 16, 2024

Derek Underwood, RIP

Another sporting hero from my youth, Derek Underwood, has died at the age of 78. His biggest claim to fame was probably the final test match against Australia in 1968: With England 1-0 down in the series, Australia were 85 for five on the last day when a thunderstorm drenched the ground. However, a desperate mop-up operation by the crowd allowed play to restart with 75 minutes remaining, and in the concluding half-hour Underwood took the last four wickets for just six runs in 27 deliveries, securing his final scalp with only six minutes left and ending up with 7 for 50.

He was defined as a slow left arm spinner, but it seemed to me that he bowled 'straight' middle pace. I could never understand why he was so successful.There was a boy at school in my year who was in the same class as me for a few years, but we never had much to do with each other; he was a bowler who seemed to base himself on Underwood and was in the first XI. I have no memory of ever facing his bowling.


News of a different kind: I have finally been informed that a date has been set for my final doctoral examination - 20 May. That will give me plenty of time to remind myself what the research was about. I'll probably have a meeting with my supervisor a week prior to the date.



This day in history:

Blog #
Date
TitleTags
2916/04/2006
Weird weatherWeather
24416/04/2010
Travelling by train/Outliers/Memories of schoolTrains, Outliers
82916/04/2015
Vinyl log 5 - 16 AprilVinyl log, Blodwyn Pig, Nice enough to eat
149316/04/2022
The malleability of folk songsFairport Convention

Saturday, April 13, 2024

Jasmine Myra - Knowingness

Barely a month ago, I wrote Probably my favourite [tune in the live recording] is the one that starts after about 47 minutes in the unedited video and is the last piece before the break. This starts out as another tone poem with harp arpeggios in 3/4 time; after a few minutes there is a break for the clarinet and then the piece continues in 4/4. A theme is played then there's time for a wild JM sax solo before the ensemble comes back in for a stomping finale.

Well, this piece has now been released from Jasmine's upcoming second album and can be found here. Whilst the first half - the tone poem with harp arpeggios - is even better than the live performance, at the moment I'm finding the second half disappointing. The bass clarinet break isn't as good, the sax solo is mannered as opposed to wild, and the ending isn't as stomping as the live version.

Is this the usual case of loving the first version of a song than one hears, where all the other versions pale in comparison, even though the first heard version is not the first recorded version? Maybe in time I'll learn to love the studio version; the first half is more atmospheric, whereas the second half doesn't take off.

Incidentally, the credits on the YouTube video from which the live version comes are wrong. Although Arran Kent plays flute and bass clarinet on the studio recordings and is credited on the video, Jasmine says that the player is George [something, possibly Segman]. 



This day in history:

Blog #Date TitleTags
34913/04/2011Advanced SQL for me - NULLIFProgramming, SQL
69613/04/2014Fifteen minute mealsCooking
82713/04/2015Vinyl log 3 - 13 AprilDCI Banks, Richard Thompson, Vinyl log
102113/04/2017April thesis updateDBA
160313/04/2023Rain, rain, rainWeather